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Reviewing a new documentary about the often agonizing July 2nd signing process for international amateur prospects.

During last year’s Wisconsin Film Festival, I watched a documentary entitled Open Season, about the events surrounding the tragic shootings of eight deer hunters in northern Wisconsin by a trespassing Minnesotan. The film was reasonably well-made and even-handed, given that the shooter happened to be a Hmong refugee and the victims were white Midwesterners, facts that could have easily enabled a broad black-and-white narrative of culture clash and racism rather than the grey-scale collision of individuals in a moment of escalating conflict. Watching the film didn’t teach me anything new about the shootings and subsequent trial, as both occurred near my hometown, two of the victims were related to me, and it was unlikely the filmmakers could learn and express as much about the events and the environment surrounding them as I already knew, having to some extent lived them.

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