Is Tony Wolters the answer to 24 years of mile-high pitching woes?
Good-framing catchers, as best as we can define them, seem to have magical powers. They can “steal” extra strikes for their pitchers, and while it might not seem like much in the moment to get an extra borderline call, it adds up. The generally accepted consensus has been that the top framers can save their team 20 runs compared to a merely average framer. Compared to the bottom of the barrel, that swing is 40 runs. When the general public figured out how big that effect was, they rightly made a big deal about it. (When teams found out, they quietly made a big deal out of it. In fact, in Francisco Cervelli’s case, they just made more than 30 million big deals about it.)
Russell sits down with Ben and Sam to discuss the experience of writing and living through their best-selling book, The Only Rule Is It Has To Work.
This one is special. Many of the people reading this article have already bought and read the book The Only Rule Is It Has to Work, by Baseball Prospectus’s own editor-in-chief, Sam Miller and our former editor-in-chief, Ben Lindbergh, about the summer they spent running the Pacific Association’s Sonoma Stompers. And somewhere in the blitz of press that they have been doing to promote the book, they took some time to chat with me.
As we were setting up before the interview, I apologized in advance for the fact that I am not a real journalist, and I’ve never really done a sit-down interview like this before. The only model that I really had to draw from was my time when I worked as a therapist. I told them that the only rule was that they had to answer my questions.
(And yeah, there are a few spoilers in here…)
I don’t know that I can properly plug the book in a way that hasn’t already been done, but I will try. There’s a certain fantasy that someday, if we just yell loud enough, teams, managers, fans, and everyone else will stop doing all of the irrational things that we yell loudly about. This book made me think, “Huh, maybe I’m the one who needs to stop yelling.”
Russell: I think that most of the readers at Baseball Prospectus know the story of how the project was conceived. I think a good place for us to start would be during the gestational period. There was a point where you had sent all the e-mails and phone calls and everyone had signed off, and there was probably a moment of “Oh dear, what am I getting myself into?” But then there was some preparation before, Ben, you took the cross-country flight and Sam, you got into your Honda Fit and drove out to Sonoma. Tell me about how you prepared for what you thoughtwas about to happen.
The super-cool, super-modern, super-fun strategy that might not be doing anything.
Last week, we looked into The Shift and whether it was actually doing what we said it was supposed to do, which is to be a better way of getting hitters, especially pull-happy hitters (and double especially groundball-heavy, pull-happy, left-handed hitters) to make more outs. The traditional story of The Shift is that because those hitters are going to be sending most of their ground balls to one side of the field, why not put more fielders over that way?
Here’s a cheeky question that I ask in complete sincerity: How many home runs were hit against The Shift last year? I’m sure someone out there knows the answer to the question, but there are probably more people wondering why I even bothered to ask it. If the ball was hit over the wall, what does it matter whether The Shift was on or not? Either way, the fielders weren’t going to be able to get to it.
Testing the belief that ninth-inning losses hurt more.
There’s nothing more thrilling in baseball than a ninth-inning comeback. Unless, of course, it’s your team being victimized by the comeback. Then, there’s nothing worse. To have fought for eight innings and held the lead, only to have the game snatched away in the ninth. It might leave the other team breathless, but it will leave you with a nasty scar.
It’s 2016 and Statcast is everyone’sfavoritenew toy. It’s not exactly a new toy, of course. Bits and pieces of the system were rolled out in 2014 and last year, there were plenty of chances for the data to make themselves known on game broadcasts. Baseball fans have begun to absorb a new set of numbers as they watch the game. Unlike some of the “advanced” stats that have come before Statcast, these are numbers that a lot of people had actively wondered about, but had very little ability to measure. How fast was he running on that play? That looked like a long way to run to make that catch, but how long was it?
Why your team's hopes aren't dead by the eighth inning, and why baseball isn't either.
Is the dramatic comeback dead? Tom Verducci of Sports Illustrated thinks that it is, and that it’s because teams have loaded up their bullpen with power-armed specialists who are just so good that if a team gets to the late innings with a lead, they are more likely to keep it, and thus scuttle the chances for someone to make a dramatic comeback in the late innings. A lot of the great games in baseball history involve late-inning heroics and comebacks from the brink. Everyone loves a comeback, but Verducci suggests that if the comeback becomes a lost art, it will suck all the life out of baseball.
There’s an endless game of cat and mouse to be played among pitchers and batters. Ted Williams famously said that hitting a baseball was the hardest thing to do in all of sports, but what makes it so hard? Sure, hitting something that small traveling that fast with a blunt instrument takes Olympian levels of reaction time, hand-eye coordination, and raw strength, but put even a decent minor-league hitter up against a pitching machine that is “throwing” 95 mph and eventually, he’ll start squaring it up every single time.
The question of cultural competence is one of the struggles that will define the next generation of Sabermetrics.
"The game is becoming a freaking joke because of the nerds who are running it. I'll tell you what has happened, these guys played Rotisserie baseball at Harvard or wherever the f--- they went and they thought they figured the f---ing game out. They don't know s---.” –Goose Gossage, March 11, 2016.
I’d say that Fuller House, the Netflix revival of the 1990s sitcom of a slightly shorter name, is a guilty pleasure of mine, but first you have to feel guilty about it. Yes, the scripts are still uproariously bad, but the cheese factor was what made the show good to begin with. In a world where everyone has to be too cool for everyone and everything, it’s nice to think that we can all solve our problems in the space of 30 minutes with a hug. Maybe it’s just nice to remember the 90s, when everyone wasn’t so uptight about everything.